NATURAL Rec709 - Sony Alpha (A7IV, A7S III, A7S II, A7III, A7R III, A7R II) | FS5/7 | RX | ZV-1 | FX9 | FX3/FX6/FX30/ZV-E1 - SLog2/3
Get the most natural colors out of your Sony Alpha Series (including the A7S III and A7IV), FS5, FX3, FX6, FX30, FS7, RX series, ZV1 and ZV-E1. Our Natural Rec 709 LUT for these popular Sony cameras gives you better colors, smoother highlights roll-off, more natural skin tones and overall a better dynamic range when compared to manufacturer one. Perfect for color grading and monitoring. The package also includes 4 different variations of the Natural Rec709 with more and less contrast, so you can pick the one you like better for monitoring or starting your grade.
Get the most natural colors out of your Sony Alpha Series (including the A7S III and A7IV), FS5, FX3, FX6, FX30, FS7, RX series, ZV1 and ZV-E1. Our Natural Rec 709 LUT for these popular Sony cameras gives you better colors, smoother highlights roll-off, more natural skin tones and overall a better dynamic range when compared to manufacturer one. Perfect for color grading and monitoring. The package also includes 4 different variations of the Natural Rec709 with more and less contrast, so you can pick the one you like better for monitoring or starting your grade.
Get the most natural colors out of your Sony Alpha Series (including the A7S III and A7IV), FS5, FX3, FX6, FX30, FS7, RX series, ZV1 and ZV-E1. Our Natural Rec 709 LUT for these popular Sony cameras gives you better colors, smoother highlights roll-off, more natural skin tones and overall a better dynamic range when compared to manufacturer one. Perfect for color grading and monitoring. The package also includes 4 different variations of the Natural Rec709 with more and less contrast, so you can pick the one you like better for monitoring or starting your grade.
HOW TO USE BUTTERY LUTs:
The workflow is extremely simple: first of all, you need to shoot LOG and LOG only. In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. That simple.
Our LUTs work in every single lighting situation, at any ISO. Yep, just one LUT! Our LUTs are compatible with any software that support .cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.
Check out this tutorial to see how to use the BUTTERY LUTs!
NOTE: Our Sony LUTs also work perfectly with the A7S III and the A7IV. If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. If you usually overexpose your footage, feel free to do so, but apply the LUT on a second node and adjust your exposure on a first node (in this way you will work on the log). Also, keep in mind that ND filters might cause some shifting in the tint. Again, this is only a starting point to start your grade and we recommend to do all the necessary adjustments before the LUT node such as tint, WB and contrast. For the A7IV, use the A7SIII LUTs.
